Polish Art Essays - Central Europe, Eastern Europe, Poland

Polish Art On the 26th of January I decided to visit for the first time the San Diego Museum of Arts. When I came upon the museum which from a view was an astonishing piece of architectural exquisiteness. This extravagant building was amazingly distinguishable from all the other ill-rooted, stucco wall structures surroundings. I arrived at the admission desk and upon purchasing my 6$ ticket the young lady told me that there is an exhibition on Art in Poland. I was still thinking that the museum would display some works from Italy, France, Spain, and other well-known European art. Puzzled I asked her about what was troubling me and she responded by saying "Sir, we only have items related to this specific exhibition for the next months". My expectation was that this museum would have visual arts that I had been familiarized during my "European Humanities" class. But since their was only a couple of days until the due date for this report and Poland was part of European art I decided to take a risk and discover the unknown. The exhibition features splendid and often exotic objects from a time when Poland, which was united in a Republic with Lithuania, was the largest nation in Europe. Located on Europe's eastern frontier, Poland was viewed by its western allies as the Bulwark of Christendom, Defender of the Faith against the Moslem Ottoman Empire that lay to the east. Because Poland was situated at a crossroads of international trade, Polish culture became a synthesis of western and eastern influences.. Roman and Byzantine Christianity, Protestantism, Islam, Judaism, and variations in-between, met with the western Renaissance and Baroque; and absorbed prominent influences from Turkish, Arabic and Oriental cultures.. The Baroque is all the more evident when seen from a society which knew neither the Middle Ages nor a subsequent Renaissance. Including fine examples of Baroque art and splendid objects from a land greatly influenced by the developing eastern and western cultures. "Land of The Winged Horsemen/ Art in Poland 1572-1764," is exciting in the scale, quality and range of the artworks on display. This exhibition is more than an unprecedented showing of art objects, or a survey of uncommon history. It restores a balance to my recent misperceptions of Europe and its art legacy, brings us to examine more closely Renaissance, Baroque, earlier perceptions of Western and Eastern, and the show intrigues with its range of cross-cultural interpretations and syntheses. An excellent and exhilarating example of the latter is "Vessels From The Sultan Service" (Pre-1777). These are a dish and plate from what was originally a set of 280 pieces executed at the Royal Manufactory at Warsaw, Poland, I tend to forget how much East courses within our notions of West, or European. This is especially evident in many of these items from the Polish and Lithuanian Commonwealth. For an art viewer familiar with Rembrandt's so-called "Polish Rider," or the seventeenth century etchings of Stefano Della Bella on Polish subjects, "Land of The Winged Horsemen" offers an opportunity to view at firsthand the reality which served them as inspiration. I saw a true example of the harmonization of diverse cultural streams into such portraiture as "Stanislaw Teczynski" painted about 1630 with a distinct native fashion and attributed to Tommaso Dolabella who was brought to Cracow by King Sigismund III. The exhibition catalogue notes that the execution displays strong links with the Venetian and even affinities with artistic developments in the Netherlands. Although the fashion is very representative of a young Polish nobleman of the time. Equally impressive is "Wincenty Aleksander Gosiewski" painted by Daniel Schultz the Younger about 1650 or 1651. It is a portrait in battle dress, of a noble who was to follow a highly eventful military career. Gosiewski's gaze displays an almost royal passion, combining a lively elegance with an equal measure of military viciousness. This exhibition, offers a concrete context for so much of the European cultural legacy. What is important to note, is the broad frequency of foreign artists encompassed in this exhibition. While domestic Polish fine and decorative art, with noteworthy exceptions, was admirable, the Commonwealth of Poland and Lithuania in this and earlier centuries was immense and prosperous -- a major market for the arts and applied artistries. It thus attracted and sustained artists and art contacts from all of the best European and Eastern centers. Amazingly hand threaded persian rugs give you a different perspective at every angle and the light amplifies the intricate silk embroidery. They are indefinitely visual delights. One of the great virtues of what is

5 Ways to Fend Off Difficult Coworkers

5 Ways to Fend Off Difficult Coworkers These aren’t the only strategies for dealing with difficult people- at work or anywhere else, but they’re a start. Make sure to keep in mind that difficult people are still people, and show them as much compassion as you can- within reason, of course. 1. Respect and ValidationIt’s what you would want, if the roles were reversed. No one is difficult on purpose. So give the pain-in-your-office the benefit of the doubt; you don’t need to agree with everything they say, but sometimes all a person needs is to be heard.2. SympathizeWalk a mile in their shoes. Just because they’re difficult doesn’t mean they don’t deserve a hand. If you can see the situation from their point of view, then maybe you can help steer them out of it. A little critical thinking, active listening, and a bit of compassion can go a long way.3. Don’t ArgueAn argument is easy, and almost always unproductive. Instead of anticipating what you’ll fire back wi th, try actually listening. Listening is easy and it will never escalate a situation out of your control.3. Counter with FactDon’t be argumentative, but you can help a difficult person reframe their more extreme statements with a little dose of reality. Turn hatred into frustration, â€Å"always† into â€Å"occasionally,† and desperate situations into constructive possibilities for change.4. Set a TimerNo matter how high your patience level, there are reasonable limits. Don’t let the difficult person hijack your entire day with their negativity. If you’ve tried all of the above and still can’t defuse the situation, it’s perfectly okay to set some boundaries. Say you have five minutes to chat, but then you both should really get back to work.5 Tips to Handle Difficult People

Secular and religious expression in israeli performing arts Essay

Secular and religious expression in israeli performing arts - Essay Example Modern arts have developed in various directions. They include expansion of fork dance style, which accompanied early frontiers in the construction of their old homeland and organization of the art dance that led to stage production produced by trained choreographer. Professional dancers performed it. Currently more than ten professional performing art companies came up with varied collection throughout Israel and abroad. Israel is today vibrant reflection of sounds, ideas, tastes, sights, cultures and people. They focus on events and facts, neglecting intense living standards and dynamics that existed. They integrate the ideas of culture and arts; however, they explore the exciting vision of Israel. Performed culture and arts reflect the pulse of the society and the heart of the Israelis. They show the ideas and themes that may not be expressed in other ways. They mostly serve as an explanation of particular arts and cultures by featuring on various circumstances at a given place an d time. The artists comment on society and culture of Israel through visual arts poetry, literature, music, film, theater performance and various artistic expressions gave educators resources to dig into Israel society in a way that explore the minds of the students and also to their souls and hearts it is by the common communication by art that appreciation of the art and society in deep sense. The education reformers and philosophers stated that culture and art expresses life of a society. In order to explore the distinctive identity of Israeli, legendary Israeli-born sabra is studied. The initial native Israeli in a current land view themselves as different type of Jews. They believed that they are patriotic, direct, young, and innocent group of Jews. The famous symbolic and representation of the sabra was available in newspapers. Many bloggers and editors gave various views of how typical Israeli. Because of the subjectivity in their discovery of the multiplicity and